Folk Horror’s Pagan Revival

Folk Horror’s Pagan Revival

The astounding resurgence of interest in pagan rituals and lifestyles has been manifested remarkably in contemporary folk horror cinema. This genre, known for its eerie landscapes and unsettling narratives, explores the primal fears and ancient rites that are deeply embedded in rural folklore. Films like ‘The Wicker Man,’ ‘The Company of Wolves,’ ‘Witchfinder General,’ and ‘The Witch’ exemplify this trend, tapping into the collective unease and curiosity about the unknown and the arcane.

Paganism, with its earth-centric spirituality and seasonal celebrations, has experienced a revival in modern times. Celebrations like Samhain, Imbolc, Beltane, and Lughnasadh mirror nature’s cycles and life, death, and rebirth. These festivals, with their rich symbolism and traditions, provide a fertile ground for folk horror narratives, where the line between reality and the supernatural blurs and can be explored.

The Wicker Man (1973) is a seminal film in this genre, depicting a pagan society with deeply rooted rituals that shock the protagonist, a Christian police officer. Its portrayal of sacrifice and the clash of belief systems resonates with contemporary audiences grappling with cultural and religious divides.

The Company of Wolves (1984), a gothic fantasy, delves into the dark tales of Little Red Riding Hood and werewolves, symbolizing the transformation from innocence to awareness. This film, along with Witchfinder General (1968), explores the fear and suspicion surrounding witchcraft and the brutal consequences of ignorance and paranoia.

The Witch (2015) stands out for its historical accuracy and chilling atmosphere. Set in 17th century New England, it delves into the puritanical fear of witchcraft and the unravelling of a family’s faith and sanity, echoing modern fears of the unknown.

Recent podcasts, like BBC’s ‘Witch’ and Aaron Manhke’s ‘Lore’ delve into the historical and cultural contexts of witchcraft and its portrayal in media over history. These discussions reflect a growing curiosity and acceptance of pagan beliefs and practices, challenging the traditional Judeo-Christian narratives that are dominant in Western society.

This rise in populism of pagan rituals and lifestyles, mirrored in folk horror cinema, reflects a societal shift towards exploring and understanding alternative belief systems. These films, by tapping into primal fears and ancient traditions, offer a window into the complexities of human belief and the perennial allure of the mysterious and esoteric. As we continue to explore these themes through various media, we gain a deeper appreciation of the rich tapestry of human culture and spirituality.

This resurgence in folk horror cinema not only entertains but also educates, encouraging viewers to look beyond their worldviews and embrace a more diverse spectrum of cultural narratives and traditions. As we cycle through the seasons, just like the ancient pagan festivals, these films remind us of the enduring power of storytelling and its ability to connect us with our most primal fears and beliefs.

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